Posts Tagged ‘media’

Doctor Who News

I’m getting bored of the number of media outlets who are taking the slightest of comments that someone makes about the upcoming Doctor Who anniversary special and spinning it into a story packed full of completely unsubstantiated nonsense. Headlines like “No Doctors To Return For 50th Special” which, when you read them turn out to be based on the fact that Colin Baker hasn’t had a phone call from Steven Moffat.

Obviously it’s good for the show that it gets all of this publicity and I don’t, for one second, expect the production team to do anything to put a stop to it. They’ll tell us what they want us to know when they want us to know it. Not a moment sooner.

But in the meantime, anyone who has ever appeared in Doctor Who has to watch what they say for fear of it being overhead by a tabloid journalist and being used to reinforce what ever story the journalist wants to write.

In an attempt to counter this, I’ve set up whonews.tv. The plan is that I’ll read these stories, extract the actual facts that they are based on and explain what we can actually believe based on those facts. Forensic analysis of entertainment news, I suppose.

I’ve also got a page where I list the best current information we have about what is actually happening for the show’s 50th anniversary. I’ll try to keep that up to date as more details emerge over the coming months.

Oh, and there’s at Twitter account too – WhoNews50. You might want to follow that.

Let me know if you find it useful.

Mailbait

We’re in the middle of one of the biggest paedophile scandals that this country has ever seen. And yet, the Daily Mail still thinks that it’s appropriate to report on Elle Fanning‘s Halloween costume with the headline

Lady Liberty! Teenager Elle Fanning shows off her womanly curves as she pays homage to New York Statue

The article continued the theme:

Elle was a posing professional as she wore a metallic maxi dress which looked rather demure at first glance.

Although it covered up her chest area and thighs, the design featured a high split which allowed her to pop her leg out of the side.

When she turned around, flesh was on show as the cut-out material scooped to just above her derriere and featured clasps which fastened at the centre of her neck.

Elle Fanning is 14.

This creepiness didn’t go unnoticed. There was soon plenty of criticism of the headline both on Twitter and in the article’s comments. Later on the headline was updated to the simpler

Lady Liberty! Teenager Elle Fanning pays homage to New York Statue

And the article was edited to remove the worst of the content. Although the author still insisted that Fanning “was eager to show the lady she is becoming”.

The Fanning family must be getting used to this. The Mail were similarly creepy about Elle’s older sister Dakota when she was 14.

The Mail has been very vocal in its coverage of the Savile affair. But, of course, they seem to see it more as yet another stick to beat the BBC with rather than actually understanding what the real problem is here. If they really understood the problem, would they publish so many stories containing the creepy phrases “older than her years” and “all grown up“?

Two weeks ago Melanie Phillips wrote an article where she blames the “liberal left” for making paedophilia acceptable. In her survey of organisations that promote the sexualisation of underage girls she somehow omits the Mail and its “sidebar of shame”. Alan White has written an open letter to Phillips inviting her to comment on the Mail providing this useful service for paedophiles. I await her response with interest.

Finally, I highly recommend that you take twenty minutes to watch Martin Robbins‘ brilliant talk on this subject from the Pod Delusion‘s third birthday bash.

BBC on Curiosity

A few days ago I complained to the BBC about the lack of live coverage of the Curiosity landing. The automatic response promised a reply within ten working days. Impressively, it arrived just now.

Less impressively, it didn’t really say anything useful.

Thanks for contacting us regarding the BBC’s Olympic Breakfast on 6 August.

I understand you were disappointed news of Nasa’s Curiosity Rover landing on Mars wasn’t broadcast live on the programme.

Choosing the stories to cover in our programmes is a subjective matter and one which we know not every viewer will feel we get right every time. Factors such as whether it’s news that has just come in and needs immediate coverage, how unusual the story is and how much national interest there is in the subject matter will all play a part in deciding the level of coverage and where it falls within our output.

Essentially this is a judgement call rather than an exact science but BBC News does appreciate the feedback when viewers feel we may have overlooked or neglected a story.

It’s worth mentioning that there was coverage on our BBC News website at the time and that we’ve had a number of follow up stories and photo articles on the early days of Curiosity Rover’s mission on Mars, as the following articles illustrate:

http://www.bbc.co.uk/news/science-environment-19141172

http://www.bbc.co.uk/news/world-us-canada-19145020

http://www.bbc.co.uk/news/science-environment-19201742

Nevertheless, I’d like to assure you that we’ve registered your comments on our audience log for the benefit of news teams and senior management within the BBC. The audience logs are important documents that can help shape future decisions and they ensure that your points, and all other comments we receive, are made available to BBC staff across the Corporation.

I guess I’m just going to accept that the people who decide what is important enough to warrant live coverage on BBC Breakfast don’t have anywhere near the same priorities as me and most of my friends.

Which is all very disappointing.

The Chances of Anything Going to Mars

At just after 6:30 this morning, history was made. NASA landed the Curiosity rover on Mars. That was undoubtedly the biggest news that was happening live at 6:30 this morning. I don’t think any reasonable person could question that.

The people scheduling the stories that would be covered on the BBC News Channel are obviously not reasonable people.

I woke up at 6:00 fully expecting to find live pictures from NASA available somewhere on British television, When BBC Breakfast (temporarily renamed “Olympic Breakfast”) started, they spent the first five or ten minutes reviewing last night at the Olympics. The Mars landing was briefly mentioned as about the fifth item in the summary of “other news”.

“Ok,” I thought, “that’s slightly disappointing; but surely they’ll go live to NASA as the landing approaches.” I was wrong.

As Curiosity landed at 6:31, the BBC News Channel was broadcasting a local travel bulletin. It was something like fifteen minutes before they got round to showing scenes from the NASA control room.

Here’s how I watched the landing. I found the NASA live stream on my Nexus 7 and had the BBC on in the background in case the editors ever came to their senses.

I understand that the Olympics are important to the BBC. Their coverage of the  event has been outstanding. But surely the point of having a 24-hour rolling news channel is that it gives you the ability to cover big news stories as they happen. There was no new Olympic news at 6:30 this morning. We were several hours away from anything happening in any Olympic event. Surely the BBC could have taken fifteen minutes out of its flagship news channel to show live pictures of one of the year’s biggest science stories.

Over the last week, the BBC has been broadcasting 51 channels that are dedicated to the Olympics (BBC One, BBC Three, BBC One HD and twenty-four special Olympics channels that are broadcast in both SD and HD). No-one can seriously argue that the Olympics aren’t getting enough coverage. It’s very disappointing that the BBC couldn’t find fifteen minutes to give this story the coverage it deserved.

I’m a big fan of the BBC. I will defend it against any ridiculous attack that the Mail or the Sun throw at it. It’s not often that the BBC disappoints me.

But I can’t remember ever being quite as disappointed in the BBC as I am right now.

Update: Through the power of Twitter I had a brief conversation about this with Kevin Bakhurst, the controller of the BBC News Channel.

Thick As A Brick

But your new shoes are worn at the heels and
Your suntan does rapidly peel and
Your wise men don’t know how it feels to be thick as a brick.
[Jethro Tull - Thick as a Brick]

Yesterday was a fun day on the internet. It was one of those days where a Daily Mail writer writes something spectacularly stupid and the internet (or, at least, the small part of it that follows the UK media) spends a few pleasant hours taking the piss.

Yesterday it was the turn of Samantha Brick. She wrote an article called ‘There are downsides to looking this pretty’: Why women hate me for being beautiful. You’ve probably read it, but if you haven’t the summary is that she thinks she is really attractive and this means that random men often do nice things for her, but random woman often take an instant dislike to her.

There are so many holes in her theory that it’s hard to know where to start. I’d guess that a lot of women don’t warm to her not because they are jealous of her irresistible beauty, but rather because she comes across as a bit of a shallow airhead who defines herself by her level of attractiveness to men. Oh, and about that irresistible beauty. I don’t want to sound rude, but I think she’s slightly deluded there.

If that article wasn’t enough for you to form an opinion of her, I invite you to peruse the list of previous articles she has written for the Mail. Just reading the titles should be enough. No need to wade into the content unless you have a particularly strong stomach.

So the internet had its day of fun laughing at Ms Brick and her nonsense. And it would have probably ended there, but the Mail just wouldn’t let it lie. Today they bounced back with two follow-up articles. One was reporting on how Ms Brick had become an “internet sensation” (where the Mail sees a sensation, the rest of us see a laughing stock) and the other was by Ms Brick herself. In it she claims that yesterday’s reaction just proves that her original theory was right.

Once again she shows that logical thinking is not her forté. Let’s bring the argument down to the simplest level and see if we can spot any flaws.

Ms Brick: Most women hate me because I’m so beautiful.
The Internet: You’re wrong and here’s about a billion reasons why.
Ms Brick: See! Everyone hates me. My original theory was right.

I really don’t think that stands up to the slightest amount of scrutiny, do you?

The article includes a photo of Ms Brick standing next to her husband. She’s wearing the same purple dress that she wears in a lot of the photos from  the last couple of days. But he’s wearing combat fatigues and carrying a rifle. Which takes on a slightly worrying meaning when you read what she wrote a few paragraphs below the photo when talking about her husband’s reaction to the furore.

At first, he shrugged it off, saying they were just the spiteful remarks of a few jealous women. But as the storm brewed . . . well, I’ve had to hide the worst of it from him; the tame few I’ve read out have riled him enough to want to take his own form of action.

Have you got that? Be nicer to her or her husband will come after you with his rifle.

Of course, Ms Brick and her delusions of superiority aren’t the real issue here. The real issue is the way that the Mail (and, in particular, Mail Online) have become so good at drawing in visitors who wouldn’t normally go anywhere near the paper. The Mail’s core audience obviously don’t spend as much time on the internet as the readers of some other papers. So the Mail have come up with a couple of strategies for getting readership from outside their core audience.

The first of these is the “sidebar of shame” so brilliantly reviewed by Steven Baxter recently. And the second is the liberal outrage strategy that we all fell for yesterday. I guess this was a lesson they picked up from the Jan Moir/Stephen Gately sage a couple of years ago. If you print things that annoy the (still largely liberal) Twitterati, then they will tweet and retweet their outrage. And every tweet brings more clicks. And every click brings more advertising revenue. As long as you don’t go too far (as Jan Moir did) and end up having to remove adverts from the page everything is wonderful. This morning I read an estimate that Samantha Brick’s article could have made the Mail £100,000 in advertising revenue.

This is what istyosty was about. Allowing people to read Mail stories without giving the clicks. And that’s, of course, why the Mail had it closed down. It hit them in the bottom line and they really didn’t like that.

I don’t have any solutions. I’m as guilty as anyone of passing round Mail links in order to spread the outrage. I wish I could just ignore them, but they’ve got under my skin. I even run a site which exists purely to link to Mail stories. I’m addicted to the outrage.

[Note: I wasn't planning to blog on this topic. But a friend pointed out the Jethro Tull link and I knew I just couldn't resist. Thanks Gareth.]

Update: Chris shares some thoughts about reading (and sharing) Mail content without giving them the clicks.

Mediawatchery Blogging Meet-Up Thingy 3

We’ve done it twice before and they just can’t stop us. So we’re going to do it all over again.

This is that occasional thing where the authors of some media-watching blogs get together in a pub to drink a couple of lemonades and make plans that will solve all the world’s problems.

The first two took place in London, but we’ve been reliably informed that there’s life outside the M25 – so this time we’re going to test that theory.

We’ll be at the Back of Beyond in Reading from 3pm on Saturday 12th May. There’s a Facebook event thingy if that kind of social conformity is your thing but feel free to just turn up if you don’t want to share details of your movements in advance.

Who will be there? Ah, well that’s confidential information. And the guest list is still in flux. But you know your favourite media blogger? He’ll definitely be there. He told me he was looking forward to meeting you. So you’d better be there.

LoveFilm and Silverlight

Yesterday, LoveFilm announced that they are changing the technology which powers their film streaming service. From early in January the existing Flash-based system will be replaced by one which uses Microsoft’s Silverlight technology. This is extremely disappointing for a couple of reasons.

Firstly, there’s the immediate technological fallout. Silverlight doesn’t run on as many platforms as Flash does. Anyone running an older (non-Intel) Mac will no longer be able to use this service. Neither will people running Linux on their PC. This also means that people trying to access the service on an Android device will be out of luck. I don’t know how many of LoveFilm’s customers this will affect, but it can’t be a trivial number.

But it’s the second reason that makes me even more depressed. And that’s the reasoning behind the decision. Paul Thompson, the project manager for the streaming service says this:

We’ve been asked to make this change by the Studios who provide us with the films in the first place, because they’re insisting – understandably – that we use robust security to protect their films from piracy, and they see the Silverlight software as more secure than Flash.

Simply put: without meeting their requirements, we’d suddenly have next-to-no films to stream online.

This is a change that the company have been forced into by the studios who make the films that LoveFilm want to stream. The studios believe that their content needs to be protected from piracy and that Silverlight provides a higher level of security than Flash does.

They’re probably right. But they’re fighting the wrong battle.

Remember when all the digital music that you could buy had DRM? Remember what a pain it was keeping track of how to play particular tracks or which devices your were allowed to play them on? Or perhaps you don’t remember that because you were sensible enough to steer clear of that madness. Perhaps you did what most people did and just ripped your CDs or *ahem* “acquired” music from elsewhere. Eventually the record companies realised that they were fighting a battle that they couldn’t win and now we all happily buy MP3s with no DRM. Well, I say “all”, but one of the fallouts from this battle is that a generation grew up with no experience of paying for music. There are still a large number of people who think nothing of downloading music of dubious provenance rather than buying it from Amazon or iTunes. If the record companies had seen sense earlier, they might have not lost an entire generation’s worth of income.

And that’s apparently where we see ourselves again now. The film studios think they are protecting their content, but actually they are training people to go elsewhere. I would love to be able to buy digital copies of films to download or to rent access to streaming versions, but they need to be DRM-free versions that I can use as I want to use them. Not crippled versions that I can only use on devices and in ways that are approved by the studios. And if the studios are going to stop suppliers from giving me what I want, then I’ll go elsewhere. It’s not as if it’s hard to track down versions of any film or TV show that has ever been released on DVD. Or shown on a digital TV channel. We all know where to get these things, right? And we all use them. Because we’re being trained to believe that it’s the easiest way to get hold of this content. And when the easiest way is also the cheapest way, the studios lose out.

It’s not just the film studios who are re-fighting the same battle. Book publishers are doing the same thing. Pretty much any Kindle book that you buy from Amazon will have DRM. The publishers are following exactly the same short-sighted logic and reaching the same flawed conclusions. They have a slight advantage over the record labels and film studios as their old-style product is a lot harder to rip into digital format. But the arguments against what they’re doing are just as valid. Kindle book DRM has been broken repeatedly. And once the DRM is removed from just one copy of a product,  the producer of that product has lost the game.

Those who do not learn from history are condemned to repeat it. The film studios and the publishers are repeating the mistakes that the record labels were making last decade. They run the risk of alienating and losing the support of a whole generation of potential customers.

Update: I should point out that there is a Linux port of Silverlight called Moonlight. But, as I understand it, it doesn’t support the DRM features that LoveFilm would be relying on.

Winterval

From today’s Daily Mail corrections column:

We stated in an article on 26 September that Christmas has been renamed in various places Winterval.

Winterval was the collective name for a season of public events, both religious and secular, which took place in Birmingham in 1997 and 1998.

We are happy to make clear that Winterval did not rename or replace Christmas.

This is amazing stuff. The Mail has been one of the main papers pushing the “Winterval” myth for many years. At the recent media bloggers meet-up someone said that our constant debunking of this myth was beginning to have some traction, but I didn’t expect to get a correction from the Daily Mail quite so soon.

On the Mail Corrections site I like to link back to the original story. And in this case it seems to be a column by Melanie Phillips where she claimed that “Christmas has been renamed in various places ‘Winterval’”. This, as the Mail now admits, didn’t happen. She ties this non-event in with the recent furore about the BBC banning the terms BC and AD (something else that didn’t happen). Phillips strongly defended her view in an email discussion with Kevin Arscott, so it’s nice to see even the Mail admitting that she was wrong.

Of course, it’ll be interesting to watch what happens next. Will all Mail writers get a memo telling them to stop repeating the lie? It’s approaching prime Winterval season, surely Richard Littlejohn or Peter Hitchens will want to write about it soon.

As always when discussing this myth, I need to link to Kevin Arscott’s forensic investigation of the evidence which is the most thorough debunking of a tabloid lie that I’ve ever seen.

Update: The Mail has updated Phillips’ original column to remove the reference to Winterval and to add the following note at the bottom:

A previous version of this article stated that Christmas has been renamed in various places Winterval. Winterval was the collective name for a season of public events, both religious and secular, which took place in Birmingham in 1997 and 1998. We are happy to make clear that Winterval did not rename or replace Christmas.

That’s the first time I’ve seen them explicitly update a corrected article like that. I hope it’s the start of a trend. This has been a good date for tabloid accuracy in Britain.

Update 2: Tabloid Watch has a fascinating article about how this correction was negotiated

Daily Mail Corrections

The Daily Mail, along with its sister paper The Mail on Sunday, has recently started to print a corrections and clarifications page.

It’s a pretty half-arsed affair for many reasons. The only way to find it is by searching for it by title. There’s no link for it anywhere on the site and it doesn’t seem to have been given its own section. Most bizarrely, the corrections don’t appear in the main web feed for the paper.

None of the corrections link back to the original story and in many cases you only get a vague description to help you work out which story they are talking about. And even if you work out which story they’re talking about, it’s often impossible to find the story on the web site as it has been removed.

I thought I could probably do better than that. So today I’ve built the Corrections and Clarifications site. It has a list of all of the corrections and clarifications that both papers have published and (where I’ve been able to find it) a link to the original story on the Mail site. I’ve also tagged the corrections so we can hopefully start to build up a picture of the kinds of corrections the Mail is printing.

I’m assuming that the Mail’s approach is so sub-standard because their content management system is prehistoric or because the people who worked on the project didn’t really think it through. If that’s the case then I’m more than happy to try to help them to fix this problem.